Before
I visited L’Ospedale degli Innocenti, I researched it a bit to understand its
purpose and history. I found out that
this hospital had been around for over 500 years and continued running until
1875, aiding the “innocents” of society.
This term “innocenti” refers to the infants and children, the vulnerable
and helpless. The building itself is
also an architectural work of art, with the façade having been constructed by
Brunelleschi, the same architect who constructed the dome of the Florentine
Duomo! I know from past Art History
courses that symmetry and order are characteristic of the Renaissance style
both in art and in music! So, I found
the whole symmetrical layout plan of the hospital to be quite typical of the
Renaissance era.
When I visited, I saw that on the
outside, there were ten depictions of babies in swaddling clothes created by
Andrea Robbia, one at each roundel. These
babies are fitting as décor for the outside, signifying the objective of the
hospital. Inside, there is a gallery
containing well-preserved masterpieces, panel paintings, and even original
furniture, believe it or not! There are
also cloisters that are separated by gender… one for men, and one for women. However, the most interesting thing that I saw
on my visit there was the door with a revolving piece so that parents could
drop off their unwanted children shamelessly and anonymously. Inscribed at this Wheel of the Innocents it
reads, “For four centuries this was the
wheel of the Innocents, secret refuge from misery and shame for those to whom charity never closed its door.” This gave me the chills.
Even
a lot of the art within depicted scenes of charity! From nearly every aspect, this facility
remains the epitome of charity. I could
only imagine how selfless the employees of the hospital must have been to
dedicate their time to such a relief effort.
These women were, essentially, strangers to the children that were
abandoned at the revolving door of the hospital, and yet their charitable
efforts saved innocent lives! Walking through the museum, it was also
interesting to see some of the original utensils that the doctors and nurses
used to aid the children that sought their help, having been abandoned. When I actually sat and thought about how
much medical advancement Florence had seen as a result of the growing regard
for the innocent and marginalized, even without what we would today as more
modern technology, I was very much surprised. I wonder how many modern-day Florentines’
ancestors were saved by this hospital!
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